A powerful story told through linked poems which raise questions of race and identity in an honest and tangible way for younger readers.

How can Irene and Charles work together on their fifth grade poetry project? They don't know each other...and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

Longlisted for the Cogan Heroes Picture Book Award 2023 Winner of the Caldecott Honor Winner of the Middle East Book Award 'A beautifully told and illustrated story that offers a unique perspective on both war and humanity.' Kirkus, starred review Out of the ravages of war came hope. How an act of kindness inspired millions worldwide. When war came to Syria, many fled the once-beautiful city of Aleppo and were forced to become refugees in far-flung places. But Mohammad Alaa Aljaleel decided to stay and work as an ambulance driver, helping the civilians that couldn't leave. He quickly realised that it wasn't just people who needed care, but also the hundreds of cats abandoned on the streets. Using the little money he earned, he began feeding and looking after them. But there were too many for Alaa to care for on his own, so he asked the world for help to keep his new friends safe. Soon, his call was answered. Alaa's brave and heart-warming story is brought to triumphant life on these pages, which include a note from Alaa himself. Alaa's cat sanctuary has expanded to work with local children traumatised by a lifetime of war. To find out more about his work, visit ernestosanctuary.org

SIBA Book Award Finalist | Alabama Library Association Children's Book of the Year Ludelphia Bennett may be blind in one eye, but that doesn't mean she can't put in a good stitch. In fact, Ludelphia sews all the time, especially when things are going wrong. But when Mama gets deathly ill, it doesn't seem like even quilting will help. Mama needs medicine badly-medicine that can only be found in Camden, over forty miles away. That's when Ludelphia decides to do something drastic-leave Gee's Bend. Beyond the cotton fields of her small sharecropping community, Ludelphia discovers a world she never imagined, but there's also danger lurking for a young girl on her own. Set in 1932 and inspired by the rich quilting traditions of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful story of a young girl facing a brave new world, presented in a new paperback edition. Ludelphia Bennett may be blind in one eye, but that doesn't mean she can't put in a good stitch. In fact, Ludelphia sews all the time, especially when things are going wrong. Sewing calms her nerves, and her quilts tell her story. But when Mama gets deathly ill, it doesn't seem like even quilting will help. Mama needs medicine badly - medicine that can only be found in Camden, over forty miles away. That's when Ludelphia decides to do something drastic -- leave Gee's Bend. Beyond the log cabins, orange dirt, and cotton fields of her small sharecropping community, Ludelphia discovers a world she could never have imagined. Fancy houses, cars, and even soda pop! But there's also danger lurking for a young girl on her own, and Ludelphia begins to wonder if she'll ever see Gee's Bend or her mama again. Despite the twists and turns, Ludelphia weathers each challenge in a way that would maker her mama proud, and she may even save the day for not just Mama, but her entire town. Set in 1932 and inspired by the rich quilting traditions of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful story of a young girl facing a brave new world. The book was 2011 Alabama Library Association Book of the Year and a SIBA Book Award finalist. Book Page calls it "captivating, a tale that will stay with the reader forever."

Frank has always been obsessed with elephants. He loves their hosepipe trunks, tree stump feet, and swish-swish tails. So when Miss Fancy, the elephant, retires from the circus and moves two blocks from his house to Avondale Park, he's over the moon! Frank really wants to pet her. But Avondale Park is just for white people, so Frank is not allowed to see Miss Fancy. Frank is heartbroken but he doesn't give up - instead he makes a plan! Frank writes to the City Council so his church can host a picnic in the park, and he can finally meet Miss Fancy. All of his neighbors sign the letter, but when some protest, the picnic is cancelled and Frank is heartbroken all over again. Then Miss Fancy escapes the zoo, and it's up to Frank to find her before she gets hurt.

No kid knows more about zoo life than Whit. That's because he sleeps, eats, and even attends home-school at the Meadowbrook Zoo. It's one of the perks of having a mother who's the zoo director and a father who's the head elephant keeper. Now that he's eleven, Whit feels trapped by the rules and routine of zoo life. With so many exotic animals, it's easy to get overlooked. But when Whit notices a mysterious girl who visits every day to draw the birds, suddenly the zoo becomes much more interesting. Who is the Bird Girl? And why does she come by herself to the zoo?

Determined to gain her trust, Whit takes the Bird Girl on his own personal tour of the zoo. He shows her his favorite animals and what happens with them behind the scenes. For Whit, having a friend his own age that he can talk to is an exciting new experience. For Stella the Bird Girl, the zoo and Whit are a necessary escape from her chaotic home life. Together they take risks in order to determine where it is they each belong. But when Stella asks Whit for an important and potentially dangerous favor, Whit discovers how complicated friendship--and freedom--can be, in Irene Latham's" Don't Feed the Boy."